One year and one week ago, Hurricane Helene became the deadliest storm of its kind to hit the United States since Katrina. Ripping into the East Coast, its effects stretched far inland. Even here in Lexington, the storm caused widespread damage and power outages. Kentucky born country renegade Sturgill Simpson went ahead with a Rupp Arena concert scheduled that weekend, telling his audience he was determined not to let “a (expletive) hurricane” derail his show.
The performance was one of the few signs of normalcy across a vast portion of the Eastern United States. The further East you went, the worse it got. One the hardest hit areas was Western North Carolina. Helene’s flooding decimated the Black Mountains region, shut down Asheville and wiped out a large section of I-40.
The winds and rains of Helene also devastated Granite Falls, a city of roughly 5,000 located in Caldwell County. It’s the hometown of Eric Church. One of the most visible, outspoken and prolific songsmiths to come out of a new generation of country music artists, Church had been off the road since his Outsiders Revival Tour had concluded a year earlier. It was one of the few extended breaks Church awarded himself since becoming an arena headliner in the early 2010s.
Wheels were already in motion for a career return in September 2024 with considerable recording already complete for what would become his eighth studio album, “Evangeline Vs. the Machine.” Helene, however, accelerated dramatically Church’s full return to active duty.
Within a month of the storm’s landfall, Church and fellow country celebrity Luke Combs — a native of Huntersville, situated just one hour to the Southeast of Granite Falls — jointly organized and presented the Concert for Carolina, a massive benefit at the Bank of America Stadium in Charlotte (a city also damaged by Helene). Along with the two megastar headliners, the bill included Billy Strings, James Taylor, Sheryl Crow, Keith Urban, The Avett Brothers and others.
Concert for Carolina drew a crowd in excess of 82,000 with a streaming audience estimated at 7.1 million that reached viewers in all 50 states and 30 countries. It raised over $24 million for hurricane relief efforts that went to organizations selected by Church and Combs.
‘Darkest Hour’ released for Hurricane Helene aid
And that was just the onstage response to Helene. Church had something else to share. Among the songs already completed for “Evangeline Vs. the Machine” when the storm hit was “Darkest Hour.” Boasting a warm, vintage soul feel and a light, high tenor vocal performance that made it almost unrecognizable as a Church recording, the tune reflected a feeling of comfort and hope.
Although there were no plans to issue it until the entire “Evangeline” album was released in May 2025, “Darkest Hour” was deemed a song that could further assist in hurricane recovery. It was offered as a single to country radio on October 4, a week after Helen’s landfall. It wasn’t one of Church’s biggest hits. It didn’t top the country charts the way “Drink in My Hand” or “Springsteen” did a decade earlier. But because of the time and need, it stands as one his most important recordings.
Listening to “Darkest Hour” now, one can’t help but view the song as a premonition of sorts, that its service of solace in the aftermath of some unforeseen calamity was going to be required.
“All I really know is I never know what’s coming around the bend,” Church sings, again with a light, early ‘70s pop-soul air. “But you should know you’re not alone. Hang on and hold my hand.”
Church performed “Darkest Hour” as the final song of his Concert for Carolina set and again at Bridgestone Arena in Nashville for November’s Country Music Association (CMA) Awards. He also donated publishing rights from the song to Helene relief efforts.
Eric Church has long history playing Lexington concerts
So we are, one year later with the Carolinas and surrounding regions still healing from Helene and Church back in full touring mode. “Evangeline Vs. the Machine” has been out for five months with the subsequent Free the Machine Tour having gotten underway in mid-September. It’s fitting that Lexington falls as only the 10th city on a tour slated (for now) to last through April 2026. He has been playing here regularly since opening for Sara Evans at a July 4th Red, White and Boom show (when the event was staged in the parking out outside Rupp) in 2006.
Those early performances proved a training ground for Church songs that often fell outside the country mainstream. From my review of a 2011 Rupp concert where he opened for Jason Aldean:
“Church’s faith in high octane guitar crunch and Steve Earle-style narratives was initially intriguing but ultimately derivative of the source inspirations it so purposely mirrored. “These Boots” became a hoot, though, when Church held one of his boots in the air as a trophy, causing many audience patrons to do the same.
“’I don’t care,’ said a female fan at my right to her male companion in what became the audience quote of the night. ‘I’m not taking off my shoes for this guy.’”
Church reveled in an outsider persona, though, when he attained headliner status, even to the point of naming his 2014 album “The Outsiders.” He deviated from the Nashville norm in how he presented his shows (sometimes solo acoustic, sometimes mammoth three- hour full band affairs), in the types of opening acts he enlisted (including South Carolina blues-rock guitar sensation Marcus King, who will open for Church this weekend at Rupp) and, of course, in the subject matter of his songs.
Topping the list of the latter is a 2021 slice of the times saga that flew in the face of corporate country’s sense of social pride.
The introductory verse:
“Take me on up to Detroit cityJails are full, the factories empty Momma’s cryin’, young boys dyin’ Under that red, white, and blue still flyin’”
The tune’s sentiment was cemented in its title: “Stick That in Your Country Song.” Released as part of Church’s 2021 triple album opus “Heart & Soul,” the song achieved gold album status in sales, but charted modestly compared to other Church hits after stalling in the Top 20.
Upon the song’s release, Jon Caramanica of The New York Times labelled Church as “the most accessible of country music’s heretics” – and seemed to mean it as a compliment. Kinda. Ultimately, though, “Stick That in Your Country Song” seems to fall right in line for a singer who was famously fired from an opening slot on a 2006 Rascal Flatts tour for playing too long. His replacement was a 16-year old newcomer by the name of Taylor Swift.
Church heads back to Lexington this weekend for his fifth outing as a headliner (four at Rupp and one as a 2016 returnee to Red, White and Boom) with a new single that sidesteps country radio’s requisite themes of beer, trucks and inconsolable heartbreak. Church wrote it after dropping his two sons off to school in the days following the March 2023 shooting at The Covenant School in Nashville that took the lives of three children and three adults. The tragedy stands as the deadliest school shooting in Tennessee history.
Titled “Johnny,” Church performed the song with a full vocal choir last week on The Tonight Show Starring Jimmy Fallon. Prior to the performance, he explained how a 1979 hit by The Charlie Daniels Band provided unintended inspiration for the song.
“It didn’t register at the time, but Charlie Daniels’ ‘Devil Went Down to Georgia’ was on the radio,” Church told Fallon. “There’s that line, ‘Johnny, rosin up your bow, play your fiddle hard. Cause hell broke loose in Georgia and the devil deals the cards, and if you win you get this shiny fiddle made of gold, if you lose, the devil gets your soul.’
“I remember thinking, ‘The Devil is not in Georgia, he’s here.’’
Eric Church
With opening act The Marcus King Band
When: 7:30 p.m. Oct. 3
Where: Rupp Arena, 430 W. Vine
Tickets: $54.80-$237.15