“The Phantom of the Opera” is having a bit of a resurgence as the famous musical celebrates its 40th anniversary.
Original stars Michael Crawford and Sarah Brightman recently reunited during a special curtain call at a show in London, and the show also came to the Segerstrom Center in August.
Huntington Beach Academy for the Performing Arts and its dedicated group of high school students are now launching their own take on the tragic love story.
The show, directed by Tim Nelson, opens Friday in the Huntington Beach Union High School District’s historic auditorium, and will run for two weekends. The HBAPA version of “Phantom,” which runs for two hours plus intermission, promises something for everyone in terms of tone.
“Even despite the big tone of an operatic musical like this, there’s a lot of heart in it,” said HBAPA senior Addison Shay, who is double-cast as female protagonist Christine Daaé along with Madisson Harkey. “There’s a lot of lovely moments between Christine and Raoul, even with the Phantom. Even though they have a complex relationship, you see that kindness between them to resolve the big conflict the whole show is about.
“While there’s a lot of chaos and confusion for a lot of the show, there’s a lot of sweet and kind moments that kind of make you look at your own life differently. I know that’s what it has made me do, so I just hope when an audience comes to see it, they’ll have that same reaction.”
Antonio Lopez plays the Phantom, with Cole Johnson as Raoul. Carlotta is also double-cast, with Bella Tafua and Riley Moser sharing the role.
Tafua said she drew inspiration from her titular role in “Hello, Dolly!” last spring to play Carlotta, who she called “the biggest diva you’ll ever meet.”
“If you think in terms of hierarchy, she’s like the lion of the opera house,” said Tafua, an HBAPA senior. “This is her domain, and everyone else is just background characters to her. She’s mean, and funny.”
Lopez has long been a fan of the musical — he came with family to see the last HBAPA production of it in 2019 — and called it the biggest production of his career so far.
“I think in some ways, the comedic aspects kind of make the dramatic tone of the show hit harder,” he said. “I think that’s a good balance that we’ve been able to establish and find throughout rehearsals.”
The massive production required four weeks of build instead of just the usual one, production stage manager and HBAPA senior Kylie Schnaas said.
“It’s been really interesting,” Schnaas said. “A lot of people are coming in already knowing the musical, so our goal is just to make it as accurate as possible but also make it fit our theater itself. Obviously, our theater isn’t like Segerstrom or the Pantages. We have to make it more designed to move around our space, use our audio to make our theater more enjoyable. Like, having sounds go around the room instead of just at the audience, or having lights move from one place outside of the stage instead of just on stage, so the audience feels more immersed in the musical itself.”
That level of complexity also hits other aspects of the production.
Kylie Aviles, one of the lead hair and makeup designers, said the wig count is up to 37. Miku Rogaski, a lead costume designer, said the show has about 230 costumes total for 74 people — about a third of which are rented.
“It’s just been a lot of altering,” Rogaski said. “I think the difficult thing for us is that rental-wise, we’re not allowed to use a lot of machine stitching. A lot of it has been done by hand. Me personally, I’ve done like 20 alterations in two days just to try to charge through. It’s been kind of non-stop … but I think it’s going to look really good on stage.”
Nelson, the show’s director, agrees. It should sound really good, too, with Andrew Lloyd Webber’s well-known score.
Nelson said that one special touch is that Christine’s nightgown from the original production 40 years ago will be in the HBAPA show.
“We have our own spin on it, but we’re pretty traditionalists here, especially where ‘Phantom’ is concerned,” he said. “It’s one of those shows that you don’t want to steer too far away from the expectations of the audience. What you do want to do is get the casting right; that was the tough part. We just ended up with some really spectacular lead characters.”
Tickets for “The Phantom of the Opera” run from $18.50 to $28.50 with fees and can be purchased online at .