Detroit’s The Armed are technicians when it comes to putting on an energetic performance. Each song is a new chaos for whatever size room the band happens to be playing. This is my expectation going into this show. The Armed, the post-hardcore collective, are here to play their second to last show of 2025 here at Thalia Hall. Here they will pull the laces tight on a year where they reaffirmed their vitality with THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, their latest record, before tying a bow on it in their homecoming on the next date. Detroit is a five hour drive from here but it doesn’t feel so far from here.
The openers for the night were two of the noisiest rock bands The Great Lakes have to offer. Locals, Latter, opened the show with their well-choreographed blitz. Singer Merideth Haines, a recent transplant to the Windy City, made a quick name for her project with two back-to-back EPs, released a year apart. This was Latter’s first time playing Thalia, one of Chicago’s mid-size venues. Haines’ and crew didn’t pull any punches.
Next, Prostitute took the stage quietly. Singer Moe took the microphone and breathed an exasperated breath, then another, and another, until his exhales took on a rhythm which led into the first song. The crowd responded immediately, bouncing along to the band’s industrial rhythms. It was exciting to finally see the Dearborn, MI band after they had blasted onto the scene following their confrontational debut LP, Attempted Martyr, released at the very start of 2025. Latter and Prostitute are bands to watch in 2026.
Between the changeover to The Armed’s set a curtain dropped on to the stage, sending a loud pop through the concert hall. I hadn’t realized what the sound was until I turned around to see the nearly three story tall curtain looming over the crowd. When the house lights went dark a cacophony of songs that would constitute as “hype songs”, including a snippet of Star Wars theme, all overlapped with explosions that sounded like they were coming from a waterlogged jukebox.
The curtain opened revealing the band with singer/creative director, Tony Wolski tumbling out first like a vaudeville marionette. The band exploded into their first song and Wolski wasted no time hopping on to the crowd. Aside from banter breaks where Wolski marveled at the “original tin” adorning the opera boxes in Chicago’s Thalia Hall, there were few moments of rest for anyone on or off stage.
Throughout the night’s set it seemed like a tag team effort to get each member of The Armed into the crowd. If you’ve ever seen the video of The Dillinger Escape Plan playing the Virgin Megastore in 2005, that’s basically the vibe of a The Armed show and they did not disappoint tonight.
On their last record, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, The Armed further proved that they were capable of more than just mysterious gimmicks. Tracks from the new album are urgent and were some of the most raucous moments of the night. Newer tracks and those of the acclaimed ULTRAPOP kept the crowd moving. Even deeper cuts from the band’s catalog got some shine, with Woslki introducing “Night City Aliens” as “the video game one” (From Cyberpunk 2077). It felt like a well-rounded set for fans and stans alike.
The difference between The Armed now and The Dillinger Escape Plan circa 2005 is that there doesn’t seem to be imminent danger afoot. The Armed are not haphazardly throwing themselves around with abandon. There was no hard moshing or crowdkilling that I could see, but the bodies were flying. The controlled chaos of the crowd mixed with the real chaos imbued in their music feels wholly real, and the danger feels inviting.
Words by Blake Correll Photos by Mary Moore
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