The term “diva”must have been unknowingly created for Maria Callas, the iconic operatic soprano, who, throughout the 50s and mid-60s, revolutionized the opera stage with her dramatic interpretations and powerful voice. And who also scandalized that same world with her tumultuous personal life.
Although many assumed her to be Italian, or at least Spanish, she was born in New York in 1923 to Greek immigrants, and trained in Greece and Italy.
Her meteoric rise in the 1950s made her a household name, captivating audiences around the world with performances in “Norma,” “Tosca,” and “La Traviata.”
A celebrity of the highest order, she also went through a high-profile affair with Greek shipping magnate Aristotle Onassis, who later, of course, married Jackie Kennedy, and created a new pop culture icon, “Jackie O.”
Callas left an indelible mark on the art form. When she retired in the 1970s, she began a legendary, two-year “master class“ series at the Julliard School of Music, bringing her sometimes steely and other times, fiery personality to the classroom and studio.
That is the Maria Callas that we meet in “Master Class,“ now running at the Sierra Madre Playhouse. The 1996 Broadway drama was written by four-time Tony award winner, Terrence McNally, and won the 1996 Tony Award for best play.
This is the weight of the role that Filipina Broadway star Joanne Al-Madinah, who starred in “Miss Saigon” and “Les Miserables,” inherits as she portrays the opera star.
Interestingly enough, the diva, as she herself notes in archived recordings of her class, doesn’t sing in this performance.
Instead, Callas is a stoic and stern, insecure diva at best. She is self-critical and self-promoting at the same time.
While working with a small group of students, she wants to be supportive, but she can’t help to step all over them as they do their best to shine for her. She’s at times simply lost in memories about her days on the stage at La Scala.
Almedilla plays Callas as equal parts whimsy and witch, as she interacts with her soprano and tenor students — Joanna Kim as Sophie, Francesca Lang as Sharon, and Kurt Kanazawa as the lone tenor.
Where she belittles and dominates Sophie, she delicately interacts with Tony, and seems to meet her match with Sharon.
Meanwhile, each of the young singers is frankly brilliant in their own right, and each delivers magnificent operatic performances as students in Callas’ class. The brief singing performances are highlights of the production.
Callas listens closely to them, and is unable not to criticize something or another in each performance, each performance reminding her of a performance of her own, and launching her into yet another reverie.
In the end, the only character arc belongs to the students, who are likely forever affected by their interaction with “Madame,” as she prefers to be referred to as.
Finally, Callas is left alone to face how she handles her own greatness and her overpowering insecurity, a situation which Almedilla handles with a subtle grace, and not a little humility.
“Master Class“ runs through March 9, 2025 at the Sierra Madre Playhouse, 87 W. Sierra Madre Blvd., Sierra Madre, CA. (626) 355–4318. sierramadreplayhouse.org
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