Since the show is sold out, it can be assumed that many may be familiar with the charming and award-winning Netflix comedy “Kim’s Convenience” which began as a play written by Ins Choi. It was performed at the 2011 Toronto Fringe Festival before it was adapted and ran for five seasons on Netflix (2018-2021). This play is sweet, hopeful, hysterical, and especially well-done in the hands of this excellent cast.
…sweet, hopeful, hysterical, and especially well-done in the hands of this excellent cast.
Directed by Aria Velz, the story is one day in the life of the Korean-Canadian Kim family. Husband, Appa, and wife, Umma, immigrated from South Korea and settled in the Regent’s Park neighborhood of Toronto, Canada. Appa opened a convenience store, as many Korean immigrants did, and has worked every day to make it a success. Appa and Umma raised a daughter Janet who, though a hip, young woman, still lives with her parents above the store. She is working on her career as a professional photographer and resents her commitment of working four hours a day at the store. She also chafes at her father’s desire for her to take over the store since he is estranged from his son, Jung, who he hasn’t seen since he ran away from home as a teenager. The reasons why are revealed later.
Appa’s neighborhood is becoming gentrified with new condos going up around him. Mr. Lee (Appa’s “black friend with a Korean name”) is now working for the developers. Since is it very likely that a small-business-killing Walmart will also be moving in, he makes Appa an offer to buy his store that would give him a comfortable retirement—but Appa is more concerned about his legacy.
Appa is a proud Korean who makes note of every Korean accomplishment. Because of Korea’s history with Japan (they invaded Korea in 1904 and enslaved the Japanese), he dislikes everything Japanese. He’s always on the lookout for illegally parked, Japanese-made cars. In a wonderful performance, Stan Kang’s Appa is a funny and multi-faceted character, his often inscrutable accent and quirky turn of phrase making for much of the comedy. But there is much more here. The play touches on the sometimes complicated family dynamics between first generation immigrants and their children, religion, and assumptions made about people because of how they look. Appa will also break your heart.
The lovely and talented Tuyết Thị Phạm will be familiar to many as a Resident Company Member at Baltimore’s Everyman Theatre. Though she does not get as much stage time as her husband, Phạm gives Umma a quiet strength and patience that shine through her unadorned face.
As Janet, Justine “Icy” Moral does a fantastic job illustrating the conflicting emotions of not fully appreciating what her parents have accomplished and being a modern, Canadian woman. As Jung, Zion Jang, also expresses well his inner conflicts and wanting to make peace with his father.
Jonathan Del Palmer does a great job handling the multiple Black characters who come into the store— a regular customer, Rich; Mr. Lee; a Jamaican, Mike (for whom Appa has a sixth sense and displays his martial arts abilities); and most endearing, Alex, a childhood friend of Jung’s (and Janet’s girl-school crush), who is now a policeman. When he answers the call about an illegally parked Japanese car, sparks fly between him and Janet. Appa’s involvement in aiding with their courtship provides one of the funniest scenes you will see anywhere.
Thanks to the talents of Debra Kim Sivigny, the set—which begins as you walk into the theater with the front of the store’s glass door with garbage can sitting next to it—is beautifully detailed and feels like every convenience store you have ever entered. It is so spot on that the ushers have signs not to touch the merchandise which are not for sale. Since there is no intermission, Lighting Designer Minjoo Kim and Sound Designer Kevin Alexander do a seamless job of delineating scenes with light and sound.
It would be well-worth it to try and get a ticket to see this fantastic show. “Kim’s Convenience” will make you laugh, cry, and touch your heart.
Running Time: One hour and 30 minutes with no intermission.
Advisory: If this were a film it would be rated PG-13 for strong language and intense conversations.
“Kim’s Convenience” runs through July 27, 2025 in the Mulitz-Gudelsky Theatre Lab at the Olney Theatre Center, 2001 Olney-Sandy Spring Road, Olney, MD 20832. For more information and to purchase tickets, call the Box Office at 301.924.3400, Wednesday – Sunday: 12:00 pm – 6:00 pm or go online. Note: Most performances are sold out. Additional tickets for sold-out shows will be released for sale, when available, at 10:00 am on the day of the performance.