And how the brand is celebrating its 15th anniversary.
East Fork Pottery, a modern pottery brand rooted in North Carolina’s centuries-old ceramic tradition, turns 15 this year. I had the opportunity to sit down with owner and founder Alex Matisse to reflect on how they’ve grown from a two-person team firing in a wood-fired kiln to now more than 130 employees, making close to one million pieces of pottery each year.
“I had just happened to land in this very fertile soil of pottery. In North Carolina specifically, there were these very rich and very alive enduring traditions.”
-Alex Matisse
Early Roots
Matisse came to North Carolina when he wasn’t quite 21 years old, leaving behind his family of artists and anthropologists in the Northeast. He enrolled at Guilford College in Greensboro, North Carolina, without ever having stepped foot on campus. It was here that Matisse learned the centuries-old ceramic tradition of making pots that gripped him tightly in the chest and didn’t let go.
“I had just happened to land in this very fertile soil of pottery,” reflected Matisse. “In North Carolina specifically, there were these very rich and very alive enduring traditions.”
He fell in love with the physical and labor-intensive process of using a wood-fired kiln. Through a connection at Guilford, Matisse met potter Matt Jones who had a workshop outside of Asheville and a large, hand-built kiln. Matisse began helping him with the overnight weekend shifts, keeping the kiln burning 24/7.
“Working with Matt and with Mark, you’re part of this lineage of potters that is all connected through apprenticeships. It’s like a family tree. This was the lineage I was indoctrinated into.”
-Alex Matisse
During his year-long apprenticeship with Jones, Matisse maintained his studio and built up his pottery muscle memory, emulating his teacher’s shapes and techniques. Following his time with Jones, Matisse completed finishing school with Mark Hewitt, an acclaimed North Carolina potter.
Matisse went on to explain how the pottery world, particularly in the South, is all interconnected. “Working with Matt and with Mark, you’re part of this lineage of potters that is all connected through apprenticeships. It’s like a family tree. This was the lineage I was indoctrinated into. All of these folks are looking at other folk pottery traditions across the world and bringing some of that into what they’re making.”
The Early Days
East Fork today is quite different from the company it started as. Matisse and his friend, John Vigeland, sold their own, handmade pots at shows and sales across Western North Carolina and the Southeast. They amassed a faithful following of collectors, but they couldn’t help but notice their audience all looked alike. It consisted of the same collectors showing up at all their sales and shows, but there weren’t many young or new collectors coming behind them.
As the early days of social media began taking off, ceramics were having a moment. Matisse and Vigeland desired to be a part of the ceramics conversation on Instagram, featuring brightly colored products that they were confident they could create but with their own spin. They refined their pieces and started selling online.
In addition to their handmade products, they started firing pots through a computer program, featuring the colorful glazes their name is synonymous with today. Excited about where the future was headed, they sent out a postcard to all their collectors about their new line, and no one showed up.
Overnight, East Fork lost all its collectors and had to start from scratch. It didn’t take long, though, and within the year, they opened their very first location in downtown Asheville.
While East Fork’s products have evolved over time, they still have a line that is exclusively hand-thrown, and the threads of those earliest pieces remain connected to their products today. Those threads have their roots in Western North Carolina and the Southern Folk Pottery traditions that grow there.
Rooted in North Carolina Pottery Tradition
“As theater is to Broadway, pottery is a treasured manifestation of North Carolina.” -Mark Hewitt
North Carolina pottery is just one slice of the larger Southern Folk Pottery pie, Matisse explained. “All over the South, there are these little pockets of tradition, and they all come together into the overarching theme of Southern Folk Pottery.” Mark Hewitt aptly captured the relationship of pottery and North Carolina: “As theater is to Broadway, pottery is a treasured manifestation of North Carolina.”
Pottery in Western North Carolina goes back to the indigenous people that first settled there. The earliest documented clay pots from the 1500s came from the Cherokee and other native people groups.
English and German immigrants later brought their own tools and techniques and began firing clay using wood-fired kilns. Over time, three regions of North Carolina emerged as pottery epicenters: Eastern Piedmont, the Catawba Valley, and Buncombe County (which includes Asheville). These places birthed the category of Southern Folk Pottery, known for its practical shapes like jugs, crocks, pitchers, and pots.
While the styles and techniques of pottery have evolved over time, many modern potters still employ the early Southern Folk Pottery techniques, while adding their own personal touches and perspectives, further enriching this beautiful tradition.
East Fork Today
Today, East Fork remains true to these Southern pottery traditions while being part of the modern ceramics conversation.
“Even though East Fork is a national brand, where it is from is very important to people’s perception of it,” emphasized Matisse. Neither Matisse nor his wife, Connie, are from the South, but he claimed, “We are Southerners by choice, and East Fork is certainly part of that story.”
Not only has the South shaped East Fork, but the community of Asheville has certainly made its mark. “East Fork would be totally different if it was originally somewhere else. We’re known to be a company and a brand that really strives to be better, and there is such an amazing fan base here in Asheville.”
“East Fork has a reciprocal relationship with Asheville,” continued Matisse. “They supported us in the beginning and lifted us up.” Likewise, East Fork supports Asheville and surrounding communities. They have raised over $1.7 million for community organizations since 2017, and 1% of their sales goes directly to their community partners.
Celebrating 15 Years
Now, in their 15th year, East Fork pays tribute to the early days of handmade, wood-fired pottery with a hand-painted collection that Matisse is especially proud of. “We’re so known for our matte glazes and color, and I’ve wanted to bring surface decoration back in for a long time, but I never had the time to sit down and pick up a brush.”
“The story of East Fork is let’s do it ourselves.”
-Alex Matisse
Painting was a part of Matisse’s first apprenticeship, and he fell in love with it. He attempted a collaboration with a factory in Mexico, but couldn’t nail the quality and depth of pigment he wanted. So, Matisse, along with two trained painters, decided to get to work themselves. “The story of East Fork is let’s do it ourselves,” said Matisse. The collection is the first hand-painted one done at scale in the United States in a long time, and it’s one Matisse is proud to weave into their story.